Wednesday, January 14, 2015

my new book unveils an unlikely nineteenth century city narrative

Some of the content below originally appeared in  a posting on my   Gender, Race and the Urban Space blog:

I am writing on this blog less as I teachThe Nineteenth Century City class in the Fall. I may return to it from time to time as I make new discoveries while teaching a new graduate course titled "Gender, Race and the Urban Space" and a new undergraduate course titled "Antebellum America."

Although I am not blogging as often on this site, I do want to take the time to share something related to the theme if often address: black urban life. My book Remember Me to Miss Louisa: Black and White Intimacies in Antebellum America is now available for pre-order on bookseller websites like Amazon.

The book, which will be published by Northern Illinois University Press this June, uncovers the ways in which (always have to get the requisite "ways  in which" academic speak in there) women and children of color migrated outside slave territory before the Civil War with the assistance of an unlikely body - southern white men. Ohio and Cincinnati in particular was filled with newly freed black and mixed race women and children owing partly to its place on the Mississippi-Ohio river network.

Ultimately, relying greatly on correspondence from African American women and children and legal documents as well as published contemporary writings, the book demonstrates that while white men can hardly be excused from their participation in oppressing people of color during the antebellum period, they unveil themselves as being uncomplicated as most human beings when they made decisions to demonstrate some measure of concern for certain enslaved women and the children they had with them. The book is yet another that shows the struggle of unmarried mothers of color in cities, but, again, white men are a  part of the conversation in anticipated and unanticipated ways. In providing black or mixed race women and children with the means to leave often rural spaces, white men were inserting them knowingly or unknowingly into emerging urban life in America. Indeed, the "nineteenth century city" is often the setting for my book.
That newly freed black and mixed race women and children manifest in such a setting is significant partly because far too often we do not often see people of African descent in chronicles of rising of industry and urbanization in the United States. Instead, we hear a great deal about such inventions as steamboats and when we hear of white-black interaction, it often involves race riots such as the kind that indeed took place in Cincinnati and other cities like Philadelphia and New York before the Civil War.

The explosion of literature on urban history, one of the fastest growing subfields of African American history, is widening the lens on black urban life during the nineteenth century. I look forward to sharing what I've discovered about the experiences of black women and children in antebellum and postbellum Cincinnati and elsewhere. Yes, given the racial hostility in Cincinnati, that city often served as a staging ground for some new migrants who eventually moved on to places as varied as Colorado, Kansas, Washington state, northern Mexico and some even returned to the South.

That said, I have entertained the idea of ending this blog and addressing my students and others via only my teaching and technology site. That site was created because technology - as in films, videos and music clips -  is so important to how I teach and even conduct research (film and theatre were prongs in my first graduate degree).

One day at a time on it all. In the meantime, back to teaching - and celebrating the coming release of my first historical monograph. Great way to start the new year.

Sunday, January 11, 2015

Battle of New Orleans comes to Tuscaloosa

The purse once owned by a guest's grandmother.
Subtlety was one of the ever-present subtexts in last night's ball drawing attention to the 200th anniversary of the Battle of New Orleans. This fact reminded me often of our nation's complicated historical past and present.

A hand-drawn map of the epic battle led by Andrew Jackson was presented at the event, which was held at Tuscaloosa's historic Jemison Mansion. The map is one of several images posted here. Jemison House Manager and the ball's host Ian Crawford is the artist.

I look forward to  leading two separate conversations about the ball with students enrolled in my Antebellum American and Gender, Race and the Urban Space courses this week.

One especially memorable moment was entering Jemison and immediately noticing the purse of one guest. It was once owned by her grandmother (the Sherlock Holmes-like coat my husband wore was once owned by his father). Time and memory both seemed to be dislocated in such objects among other things at the ball, which received inspiration in part from Crawford
following the advice of his step-mother who pushed
him to follow his dreams.
This signage points to leisure moments in antebellum America.


A close up of the insert inside the invitation.
The invite to ball was printed on elegant paper.
Shield at entrance to Jemison.
Crawford's hand-drawn depiction of battle on canvas.